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		<title>Timo Toots</title>
		<link>https://next.timo.ee/</link>
		<description>Recent content on Timo Toots</description>
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			<item>
				<title>Free Cookies</title>
				<link>https://next.timo.ee/free-cookies/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/free-cookies/</guid>
				<description>&lt;p&gt;Who doesn&amp;rsquo;t like cookies, especially when they&amp;rsquo;re free? By clicking and touching virtual buttons on devices every day, we are constantly biting into &amp;ldquo;cookies&amp;rdquo; and allowing them to &amp;ldquo;track&amp;rdquo; us. But are they really free or does it just seem so?&lt;/p&gt;</description>
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			<item>
				<title>Maajaam</title>
				<link>https://next.timo.ee/maajaam/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/maajaam/</guid>
				<description>&lt;p&gt;Maajaam is a farm for art and tech situated in South of Estonia. It is concentrated on researching of, experimenting with and reflecting on the relationships between people, technology and nature. Substituting the urban environment with a hilly rural landscape allows us to observe technology in it’s pure form. Mixing the past technological wonders of the historical farm with present day hi-tech offers us a shift in perspective. This perspective is projected through the prism of art.&lt;/p&gt;</description>
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			<item>
				<title>Memopol-1</title>
				<link>https://next.timo.ee/memopol-1/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/memopol-1/</guid>
				<description>&lt;p&gt;Memopol is a machine that maps the visitor&amp;rsquo;s information field. By inserting an identification document such as a national ID-card or passport into the machine, it starts collecting information about the visitor from (inter)national databases and the Internet. The data is then visualized on a large-scale custom display. People using the machine will be remembered by their names and portraits.&lt;/p&gt;</description>
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			<item>
				<title>Tintinnebula</title>
				<link>https://next.timo.ee/tintinnebula/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/tintinnebula/</guid>
				<description>&lt;p&gt;Tintinnebula is inspired by the music of Arvo Pärt who went to school in Rakvere. The name refers to way of composing Arvo Pärt invented (Tintinnabuli), but also to a nebula - a collection of stars. The cymbals are full of potential energy, but mostly silent waiting for the right moment. The sound of cymbals is heard when the wind grows stronger and the rain drops start making the sound of tinn-tinn. It welcomes the visitor to take a break and enjoy the silence.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Wild Bits</title>
				<link>https://next.timo.ee/wild-bits/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/wild-bits/</guid>
				<description>&lt;p&gt;Wild Bits is an exhibition concept that proposes a temporary art park in the wilderness. The exhibition explores converging points of people, technology and nature. The technological art installation consisting of sounds, lights, texts, sculptures or online counterparts are placed in natural spaces like forests, fields, swamps and lakes.&lt;/p&gt;</description>
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			<item>
				<title>Memopol-2</title>
				<link>https://next.timo.ee/memopol-2/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/memopol-2/</guid>
				<description>&lt;p&gt;Memopol is a machine that maps the visitor&amp;rsquo;s information field. By inserting an identification document such as a national ID-card or passport into the machine, it starts collecting information about the visitor from (inter)national databases and the Internet. The data is then visualized on a large-scale custom display. People using the machine will be remembered by their names and portraits.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Valgusstart / Light Start</title>
				<link>https://next.timo.ee/valgusstart/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/valgusstart/</guid>
				<description>&lt;p&gt;Light Start is a series of interactive light installations activated by a press of a large button. The light fixtures animate the movement of a sport motions. The series consists of three installations modeled by a shot-put throw, snowboard big air jump and a 60m sprint run.&lt;/p&gt;</description>
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			<item>
				<title>Z</title>
				<link>https://next.timo.ee/z/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/z/</guid>
				<description>&lt;p&gt;&lt;strong&gt;Z&lt;/strong&gt; is a project dealing with the contrast and contradictions of the virtual and physical spaces in our daily life.&lt;/p&gt;</description>
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			<item>
				<title>Estonian National Museum</title>
				<link>https://next.timo.ee/erm/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/erm/</guid>
				<description>&lt;p&gt;Estonian National Museum opened it&amp;rsquo;s new building in 2016. &amp;ldquo;Encounters&amp;rdquo; is one of two permanent exhibitions in the building featuring 3600m2 of exhibition space. I was commisioned to develop and design a series of physical interactive multimedia exhibits spread around the whole exhibition. Heavy and everlasting materials of concrete, glass and iron are mixed with ephemeral layers of projections, sounds and electronics. The mix of different physical and virtual materials create a strong physical experience conveying the messages from the past and allows traveling on the historic timeline. 20 new installations were created together with curators and scientists of the museum.&lt;/p&gt;</description>
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			<item>
				<title>Memopol-3</title>
				<link>https://next.timo.ee/memopol-3/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/memopol-3/</guid>
				<description>&lt;p&gt;Memopol-3 is an installation that visualizes visitor’s information field. It’s an Orwellian dystopia which is built on the technology of today.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Reality TV</title>
				<link>https://next.timo.ee/reality-tv/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/reality-tv/</guid>
				<description>&lt;p&gt;Reality TV is an installation dealing with transformation of every day objects into hybrid devices mixing physical reality with virtual one.&lt;/p&gt;</description>
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				<title>Soodevahe</title>
				<link>https://next.timo.ee/soodevahe/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/soodevahe/</guid>
				<description>&lt;p&gt;&lt;strong&gt;Soodevahe&lt;/strong&gt; is a site specific project in a Soodevahe village next to Tallinn Airport landing strip. The project consts of series of architectural and cultural interventions.&lt;/p&gt;</description>
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				<title>Tuuleluule / Wind Poetry</title>
				<link>https://next.timo.ee/tuuleluule/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/tuuleluule/</guid>
				<description>&lt;p&gt;Wind Poetry is a kinetic sculpture that works with wind power. The shape of a book is filled with 480 black and white &amp;ldquo;wind pixels&amp;rdquo;. The pages get filled with unlimited number of graphic patterns according the the emotions of the wind.&lt;/p&gt;</description>
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				<title>Hall of Fame</title>
				<link>https://next.timo.ee/hall-of-fame/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/hall-of-fame/</guid>
				<description>&lt;p&gt;&amp;ldquo;Hall of fame&amp;rdquo; is an installation that calculates visitor&amp;rsquo;s potential to be an artist. It uses national ID-card or passport as means of interaction and physical billboard with projected information. Private information and portrait from the document. This is the way visitor can put oneself on the Hall of Fame (if one is &amp;ldquo;artistic&amp;rdquo; enough to compete). The billboard starts a sequence showing the statistics gathered and calculated about the person. The animated sequence is projected on paper or spatial objects on the billboard.&lt;/p&gt;</description>
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			<item>
				<title>Memopol Archive</title>
				<link>https://next.timo.ee/memopol-archive/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/memopol-archive/</guid>
				<description>&lt;p&gt;Memopol Archive is a collection of objects, semi-working parts and documental video from the all Memopol machines from 2009 to 2019.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Don&#39;t</title>
				<link>https://next.timo.ee/dont/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/dont/</guid>
				<description>&lt;p&gt;&lt;strong&gt;Don&amp;rsquo;t&lt;/strong&gt; is an installation that might look like a sculpture exhibition.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Laastutabloo</title>
				<link>https://next.timo.ee/laastutabloo/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/laastutabloo/</guid>
				<description>&lt;p&gt;&lt;strong&gt;Shingle Scope&lt;/strong&gt; is an archaic information display in Estonian National Museum.&lt;/p&gt;</description>
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			<item>
				<title>Technology of Wild Bits exhibition</title>
				<link>https://next.timo.ee/blog/2024.07.01-tech-of-wild-bits/</link>
				<pubDate>Mon, 01 Jul 2024 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/blog/2024.07.01-tech-of-wild-bits/</guid>
				<description>&lt;p&gt;Writeup of exhibition technology for outdoor technological art exhibition &amp;ldquo;Wild Bits&amp;rdquo;&lt;/p&gt;</description>
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				<title>Exhibition Accept All Cookies in Tartu Artist House</title>
				<link>https://next.timo.ee/blog/2023.08.01-accept-all-cookies/</link>
				<pubDate>Tue, 01 Aug 2023 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/blog/2023.08.01-accept-all-cookies/</guid>
				<description>&lt;p&gt;Documentation of an exhibition.&lt;/p&gt;&#xA;&lt;hr&gt;&#xA;&lt;p&gt;TIMO TOOTS&lt;br&gt;&#xA;Accept All Cookies: a Selection of Works from 2008–2023&lt;/p&gt;</description>
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			<item>
				<title>‘1 reaalsus JA 1 error Vaal Galeriis</title>
				<link>https://next.timo.ee/publication/2008.05.16-mediabubble-aripaev/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2008.05.16-mediabubble-aripaev/</guid>
				<description>&lt;p&gt;&lt;strong&gt;Eelmise kahe aasta väljapanekute teemadeks olid seks ja postmodernism. Seekord tegeletakse vigadega, mis esinevad nii kultuuris kui ka ühiskonnas üldiselt. Nn vigade muuseumi on kokku pannud Kiwa.&lt;/strong&gt;&lt;/p&gt;</description>
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				<title>&#34;МЕМОПОЛ II&#34; an attempt at close reading</title>
				<link>https://next.timo.ee/publication/2012.02.24-memopol-2-oliver-laas/info/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2012.02.24-memopol-2-oliver-laas/info/</guid>
				<description>&lt;p&gt;&lt;em&gt;Translated by Hendrik Koger&lt;/em&gt;&lt;/p&gt;&#xA;&lt;p&gt;Quite a bit has been written about Timo Toots’ Memopol, but the author of this article has not yet come across a text that has attempted a close reading of the piece, so to say. The following attempts to fill that blank.&lt;/p&gt;</description>
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			<item>
				<title>A Counter History of the Internets</title>
				<link>https://next.timo.ee/publication/2013.09.01-memopol2-arte/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2013.09.01-memopol2-arte/</guid>
				<description>&lt;div&#xA;&#x9;&#x9;&#x9;&#x9;&#x9;style=&#34;position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden;&#34;&gt;&#xA;&#x9;&#x9;&#x9;&#x9;&lt;iframe&#xA;&#x9;&#x9;&#x9;&#x9;&#x9;src=&#34;https://player.vimeo.com/video/67455273?dnt=0&#34;&#xA;&#x9;&#x9;&#x9;&#x9;&#x9;&#x9;style=&#34;position: absolute; top: 0; left: 0; width: 100%; height: 100%; border:0;&#34; allow=&#34;fullscreen&#34;&gt;&#xA;&#x9;&#x9;&#x9;&#x9;&lt;/iframe&gt;&#xA;&#x9;&#x9;&#x9;&lt;/div&gt;</description>
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				<title>A machine that walks in the corridors of memory</title>
				<link>https://next.timo.ee/publication/2010.03.04-memopol-1-andreas-w/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2010.03.04-memopol-1-andreas-w/</guid>
				<description>&lt;p&gt;At first I felt that this text should deal with machines and the way they affect people, or more precisely, with what we think about communicating with machines. Already a long time ago we accepted the fact that the world will not only become filled with machines, but that it is also satiated with them. For over a hundred years we have been living side by side with machines; more machines than we can possibly imagine are coming off the production lines every day. No matter where we look, we can always see some more or less functioning machine standing there, doing something. We should be accustomed to them to the point of tediousness. But we are not. MEMOПOЛ-I is a machine that can demonstrate that we are not used to machines at all. And perhaps it will also show us why.&lt;/p&gt;</description>
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			<item>
				<title>Biography</title>
				<link>https://next.timo.ee/bio/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/bio/</guid>
				<description>&lt;div class=&#34;row&#34;&gt;&#xA;    &lt;div class=&#34;col-12 col-md-6&#34;&gt;&#xA;      &lt;p&gt;&lt;strong&gt;Timo Toots&lt;/strong&gt; is an interdisciplinary artist living and working in Estonia. His artistic research concentrates on the relationships between humans, technology and nature. His work is addressing the question of privacy in the surveillance society and role of nature in the technological era.&lt;/p&gt;</description>
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			<item>
				<title>CV</title>
				<link>https://next.timo.ee/cv/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/cv/</guid>
				<description>&lt;div class=&#34;row&#34;&gt;&#xA;    &lt;div class=&#34;col-12 col-md-6&#34;&gt;&#xA;      &lt;h5 id=&#34;-education&#34;&gt;⧉ Education&lt;/h5&gt;&#xA;&lt;p&gt;2005 - 2009 Estonian Academy of Arts (photography BA)&lt;br&gt;&#xA;2008 - Exchange student in Iceland Academy of Arts (fine arts)&lt;br&gt;&#xA;2007 - Exchange student in Karlsruhe HfG (media arts)&lt;br&gt;&#xA;2001 - 2004 University of Tartu (computer science, not graduated)&lt;br&gt;&#xA;1997 - 2001 Hugo Treffner Gymnasium&lt;/p&gt;</description>
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			<item>
				<title>EKKM, mis siis valesti on?</title>
				<link>https://next.timo.ee/publication/2007.11.02-dont-sirp/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2007.11.02-dont-sirp/</guid>
				<description>&lt;p&gt;Eesti kaasaegse kunsti muuseumis lõppes muuseumi teine ametlik näitus „Midagi on valesti”, kus esinesid Eesti kunstiakadeemia fotograafia eriala III kursuse tudengid ja mille eest võttis, nagu ka esimesel korral, kureeriva vastutuse Marco Laimre. Näitus oli ootuspäraselt sotsiaalne, traagiline, pani kaasa mõtlema ja tundma, osutas ühiskonna vaiksetele valupunktidele. Noored fotograafid rääkisid sotsiaalsetele stereotüüpidele allumatusest (Sigrid Viir), panustasid ühiskonna ebausklikkusele (Kristiina Hansen), visualiseerisid raudkindla nelikmõrva liikluslolluse läbi (üks kõvemaid töid üldse! Karel Koplimets), otsisid vaevumärgatavaid hälbeid argiümbruses (Laura Toots, Krõõt Tarkmeel, Helina Kõrm, Tanel Rannala). Kunstnikud leidsid valesti olevat avalikkusest ja otsisid tasakaalupunkti, kus kõik õige oleks, enda seest.&lt;/p&gt;</description>
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			<item>
				<title>Elektron</title>
				<link>https://next.timo.ee/elektron/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/elektron/</guid>
				<description>&lt;h3 id=&#34;exploring-the-routes-of-electricty&#34;&gt;Exploring the routes of electricty&lt;/h3&gt;&#xA;&lt;p&gt;Elektron is a site-specific installation examining the route of electricity from the source to the endpoint in the gallery.&lt;/p&gt;</description>
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				<title>Elektrosauna</title>
				<link>https://next.timo.ee/elektrosauna/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/elektrosauna/</guid>
				<description>&lt;p&gt;Elektrosauna creates an immersive experience of the technological trash that we consume for very small amount of time and discard for something new. The e-waste is transported to developing countries and we have no knowledge what happens to it. Elektrosauna hides it in the small cabin, but unveils everything when the visitor enters.&lt;/p&gt;</description>
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				<title>Error. Error. Error.</title>
				<link>https://next.timo.ee/publication/2008.05.07-mediabubble-postimees/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2008.05.07-mediabubble-postimees/</guid>
				<description>&lt;p&gt;&lt;strong&gt;Midagi on valesti. Jälle on midagi valesti. Kusagil on minu osaluseta jälle mingi viga tehtud, mis kogu süsteemi sassi lööb. Kurjakuulutavat signaali «error» edastab mulle iga päev minu vana kokkujooksvate juhtmetega PC. Sama signaali edastas ka Kiwa kureeritud noortenäitus Vaalas.&#xA;Tahaksin arvuti järjekordse hääleka veateate peale aknast välja visata. Nõme, vastik, arusaamatu toanurgas surisev hall kast. Ma ei mõista teda ja ma vihkan teda selle eest: vihkan tema arusaamatuid tujusid ja mõttetuid pretensioone.&lt;/strong&gt;&lt;/p&gt;</description>
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				<title>Exhibitions</title>
				<link>https://next.timo.ee/exhibitions/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/exhibitions/</guid>
				<description>&lt;div class=&#34;row&#34;&gt;&#xA;    &lt;div class=&#34;col-12 col-md-6&#34;&gt;&#xA;      2024 / Üleheli Festival / Tallinn, Estonia&lt;br&gt;&#xA;2024 / Prima Vista / Tartu, Estonia&lt;br&gt;&#xA;2022 / Raudondvaris / Kaunas, Lithuania&lt;br&gt;&#xA;2021 / Tartu Artist House / Tartu, Estonia&lt;br&gt;&#xA;2020 / Tallinas ielas kvartāls / Riga, Latvia&lt;br&gt;&#xA;2020 / Estonian Road Museum / Varbuse, Estonia&lt;br&gt;&#xA;2020 / Kondase Keskus / Viljandi, Estonia&lt;br&gt;&#xA;2019 / Tartu Nature House / Tartu, Estonia&lt;br&gt;&#xA;2019 / ISEA 2019 / Gwangju, South Korea&lt;br&gt;&#xA;2019 / Voronja Gallery / Varnja, Estonia&lt;br&gt;&#xA;2019 / Cesis Brewery / Cesis, Latvia&lt;br&gt;&#xA;2019 / Estonian Museum of Applied Arts &amp;amp; Design / Tallinn, Estonia&lt;br&gt;&#xA;2018 / public space / Tartu Valgus Festival / Tartu, Estonia&lt;br&gt;&#xA;2018 / KUMU Art Museum / Tallinn, Estonia&lt;br&gt;&#xA;2018 / Tallinn Art Week / Noblessner Shipyard / Tallinn, Estonia&lt;br&gt;&#xA;2017 / European Parliament / Brussels, Belgium&lt;br&gt;&#xA;2016 / Mooste Seed Sorting factory / Mooste, Estonia&lt;br&gt;&#xA;2015 / ZKM / Karlsruhe, Germany&lt;br&gt;&#xA;2015 / Estonian Pavilion / Milan, Italy&lt;br&gt;&#xA;2015 / Tartu Art Museum / Tartu, Estonia&lt;br&gt;&#xA;2014 / Ii Biennale of Northern Environmental and Sculpture Art / Ii, Finland&lt;br&gt;&#xA;2014 / City Gallery / Võru, Estonia&lt;br&gt;&#xA;2014 / Survival kit 6 / Riga, Latvia&lt;br&gt;&#xA;2013 / KUMU / Tallinn, Estonia&lt;br&gt;&#xA;2013 / Museum for Communication / Frankfurt, Germany&lt;br&gt;&#xA;2013 / Temp Gallery / New York, USA&lt;br&gt;&#xA;2013 / Kleine Humboldt Gallery / Berlin, Germany&lt;br&gt;&#xA;2012 / House of Electronic Arts / Basel, Switzerland&lt;br&gt;&#xA;2012 / Aboa Vetus &amp;amp; Ars Nova museum / Turku, Finland&lt;br&gt;&#xA;2012 / La Gaîté Lyrique / Paris, France&lt;br&gt;&#xA;2012 / Liste Art Fair / Basel, Switzerland&lt;br&gt;&#xA;2012 / Prix Ars Electronica / Linz, Austria&#xA;    &lt;/div&gt;&#xA;    &lt;div class=&#34;col-12 col-md-6&#34;&gt;&#xA;      2012 / KUMU / Tallinn, Estonia&lt;br&gt;&#xA;2012 / Contemporary Art Museum of Estonia / Tallinn, Estonia&lt;br&gt;&#xA;2012 / Contemporary Art Museum of Estonia / Tallinn, Estonia&lt;br&gt;&#xA;2011 / Moscow Biennale / Moscow, Russia&lt;br&gt;&#xA;2011 / KUMU / Tallinn, Estonia&lt;br&gt;&#xA;2011 / Gallery of Design and Architecture / Tallinn, Estonia&lt;br&gt;&#xA;2011 / public space / Tallinn, Estonia&lt;br&gt;&#xA;2011 / Contemporary Art Museum of Estonia / Tallinn, Estonia&lt;br&gt;&#xA;2011 / CAC / Vilnius, Lithuania&lt;br&gt;&#xA;2011 / European Media Art Festival / Osnabrück, Germany&lt;br&gt;&#xA;2010 / City Gallery / Tallinn, Estonia&lt;br&gt;&#xA;2009 / Leigo Lake Music Festival / Leigo, Estonia&lt;br&gt;&#xA;2009 / Estonia Concert Hall / Tallinn, Estonia&lt;br&gt;&#xA;2009 / Gallery of Estonian Academy of Arts / Tallinn, Estonia&lt;br&gt;&#xA;2009 / Art Depoo / Tallinn, Estonia&lt;br&gt;&#xA;2008 / Vaal Gallery / Tallinn, Estonia&lt;br&gt;&#xA;2007 / Tallinn University Academic Library / Tallinn, Estonia&lt;br&gt;&#xA;2007 / Artist House / Tartu, Estonia&lt;br&gt;&#xA;2007 / Contemporary Art Museum of Estonia / Tallinn, Estonia&lt;br&gt;&#xA;2007 / Art House / Tartu, Estonia&lt;br&gt;&#xA;2007 / Vaal Gallery / Tallinn, Estonia&lt;br&gt;&#xA;2006 / Los Patrankos / Kaunas, Lithuania&lt;br&gt;&#xA;2006 / Manege Central Exhibition Hall / St. Petersburg, Russia&lt;br&gt;&#xA;2006 / Tartu Kaubamaja / Tartu, Estonia&lt;br&gt;&#xA;2006 / SERDE - The Center For Interdisciplinary Art / Aizpute, Latvia&#xA;    &lt;/div&gt;&#xA;&lt;/div&gt;</description>
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				<title>Flight Announcer</title>
				<link>https://next.timo.ee/flight-announcer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/flight-announcer/</guid>
				<description>&lt;p&gt;The installation announces the commercial aircraft that are currently above in the air. Robotic voice announces the origin and destination of the planes. Their distance from the location is expressed with beeping sounds.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Fotoreportažas iš parodos „If it’s Part Broke, Half Fix it“ ŠMC</title>
				<link>https://next.timo.ee/publication/2012.02.02-helpdesk-artnews/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2012.02.02-helpdesk-artnews/</guid>
				<description>&lt;p&gt;Sausio 28 dieną Šiuolaikinio meno centre atidaryta jaunos kuratorės Margit Säde Lehni sudaryta paroda „If it’s Part Broke, Half Fix it“ (Stalkeriai, lošėjai ir taksistai, skambučiai ir skundai, koridoriai ir liudijimai, nusivylimai ir gėda).&lt;/p&gt;</description>
			</item>
			<item>
				<title>Helpdesk</title>
				<link>https://next.timo.ee/helpdesk/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/helpdesk/</guid>
				<description>&lt;p&gt;&lt;strong&gt;Helpdesk&lt;/strong&gt; is not a regular phone. It&amp;rsquo;s a phone that waits for calls from the big public. As the attention on and funding for the arts is minimal, Helpdesk makes missed calls to an unlimited number of random phone numbers. The ringing phone in the exhibition hall invites visitors to start a discussion whether on the exhibition or any other important topics.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Inteview Timo Toots</title>
				<link>https://next.timo.ee/publication/2023.10.08-neural-magazine/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2023.10.08-neural-magazine/</guid>
				<description>&lt;ol&gt;&#xA;&lt;li&gt;Some of your projects are about the implementation of misbehavior in certain human-machine relationships, immanently expressing the way machines work. How much do you think we need “transparency” in machines in order to have healthy communication with them?&lt;/li&gt;&#xA;&lt;/ol&gt;&#xA;&lt;p&gt;As fast as digital technology has come closer to our daily lives we have to work hard that it would be transparent. If we think of older technologies, for example a hammer it’s pretty transparent. Our minds and bodies could easily understand that you can use it for several purposes like hitting a nail or smashing a window. Our newer technologies are too complex for a similar approach thus we have to always work to keep them understandable and under control. The misuse of technology is too easy if the general public does not understand it and will be used against people. My work tries to open up this dialog by presenting machines that have hidden agendas that people themselves will expose.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Kaasaegse kunsti muuseum suurendab panuseid – Köler Prize</title>
				<link>https://next.timo.ee/publication/2011.05.07-helpdesk-epl/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2011.05.07-helpdesk-epl/</guid>
				<description>&lt;p&gt;Esimest korda väljaantava Köler Prize’i statuudi kohaselt osalevad võidujooksus Smarten Logisticsi välja pandud 5000 euro suuruse preemiaraha nimel kolme viimase loominguaasta tegevuse põhjal valitud viis nominenti, kelle väljapanek on 5. juunini avatud EKKM-i ruumides. Lisaks on publikul võimalik valida oma lemmikkunstnik, kes saab Temnikova &amp;amp; Kasela galerii ja advokaadibüroo Lawin välja pandud publikuauhinna tuhat eurot.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Kalaktika</title>
				<link>https://next.timo.ee/futures/2026-kalaktika/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/futures/2026-kalaktika/</guid>
				<description>&lt;h3 id=&#34;kalaktika&#34;&gt;Kalaktika&lt;/h3&gt;&#xA;&lt;p&gt;Looduses liikumist vaadates tundub, nagu oleks parv üks organism, millel on oma eesmärgid ja suund. Teadlased on avastanud, et parves tegutsemisel ei ole üks-pluss-üks lihtsalt kaks, vaid tulemuseks võib olla midagi palju suuremat. Kalaparves elamisel on mitmeid eeliseid. Kalad liiguvad teiste loodud voolus kergemini, saavad kiskjatest&#xA;kiiremini teada, leiavad toitu tõhusamalt ning neil on rohkem võimalusi partneri leidmiseks. Kõigil kaladel on sarnased huvid. Hea kommunikatsioon aitab tagada, et terve parv suudab ellu jääda. Sarnast emergentsust - koostöö ja keerukuse tekkimist näeme kõikjal looduses. Näiteks lumehelveste moodustumisel, inimeste teadvuse tekkimisel neuronite&#xA;koostöös või galaktikate tekkimisel. Kui vaatame linnuparvi taevas, tekib küsimus – kas ka nemad peavad parve suuna leidmiseks kaklema, nagu inimesed tihti oma eesmärkide nimel teevad?&lt;/p&gt;</description>
			</item>
			<item>
				<title>Köler Prize</title>
				<link>https://next.timo.ee/publication/2011.05.08-helpdesk-blog1/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2011.05.08-helpdesk-blog1/</guid>
				<description>&lt;p&gt;Külastasin Köler Prize&amp;rsquo;i nimelise kunstiauhinna nominentide näitust Eesti Kaasaegse Kunsti Muuseumis. Eesti esimese kõrgharidusega kunstniku järgi nimetatud auhind antakse sel aastal välja esmakordselt ja seda  2011. aasta Euroopa Kultuuripealinna raames. Preemia on Eesti mõistes innovaatiline, sest  see jagatakse alles pärast seda, kui näitusel eksponeeritud tööd on enam kui kuu aega avalikkuse pilgu all olnud. Eelmainitud lihtne asjaolu muudab kogu valimisprotsessi interaktiivsemaks ning annab publikupreemia näol osalusvõimaluse ka kunstivõhikutele, kes vastasel juhul end taolise auhinna väljaandmisest absoluutselt puudutatuna ei tunneks.  Köler Prize&amp;rsquo;i eesmärk ongi populariseerida kaasaegset kunsti ning tõmmata tähelepanu meie andekatele noortele kunstnikele, ja kuigi olin laupäeva pärastlõunal praktiliselt ainus näituse külastaja, olen kindel, et tulevikus see ka õnnestub: ega Roomatki ei ehitatud  ühe päevaga.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Köler Prize</title>
				<link>https://next.timo.ee/publication/2011.05.09-helpdesk-blog2/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2011.05.09-helpdesk-blog2/</guid>
				<description>&lt;p&gt;Külastasin EKKM-s toimuvat Köler Prize 2011 nominentide näitust. See auhind antakse Tallinna Kultuuripealinna raames välja esmakordselt sel aastal. Auhinnale nomineeriti Eesti Kaasaegse Kunsti Muuseumi poolt viis kaasaegse eesti kunsti tõusvat tähte – Dénes Kalev Farkas, Tõnis Saadoja, Timo Toots, Sigrid Viir, Jevgeni Zolotko. Nominentide näitusel saab läbi kahe töö kerge läbilõike nende viimaste aastate loomingust. Tööd, milledest esimene on varem avalikult juba eksponeeritud, teine aga valmib spetsiaalselt Köler Prize’i jaoks, valisid kunstnikud ise.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Köler Prize</title>
				<link>https://next.timo.ee/publication/2011.05.09-helpdesk-blog3/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2011.05.09-helpdesk-blog3/</guid>
				<description>&lt;p&gt;Kevadises Tallinnas on ilu ja müstikat – seega on vägagi tõenäoline, et ühel ilusal päeval kannavd jalad sind jutkui iseenesest mõnda erkordsesse paika. Nõnda juhtus minugagi, kui leidsin end ühtäkki seismas Linnahalli lähedal, ümbritsetuna robustsetest mahajäetud tehasehooneetest, mis kandsid endas möödunud aegade hõngu. Kuigi esmapilgul võib tunduda, nagu elaks see osa Tallinnast ikka veel minevikus, tuleb tõdeda, et tegelikult on just see sama paik kõige uuenduslikumate tulevikuideede kodu, mis arvatavasti loovad aastate pärast aluse meie igapäevafilosoofiale. Jah, olete tõepoolest sattunud Eesti Kaasaaegse Kunsti Muuseumi ning teie ees on Köler Prize 2011 nominendid: Dénes Kalev Farkas, Tõnis Saadoja, Timo Toots, Sigrid Viir ja Jevgeni Zolotko.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Lifting the Urban Environment</title>
				<link>https://next.timo.ee/publication/2011.07.15-soodevahe-art-territory/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2011.07.15-soodevahe-art-territory/</guid>
				<description>&lt;p&gt;The urban installation festival, LIFT 11, has been taking place in Tallinn since the beginning of May and will go on until September 12; it is part of the program celebrating Tallinn as the European Capital of Culture for the year 2011. Ten installations are being gradually erected during the summer; they will all be finished by august and will be available for viewing until the end of the festival.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Maajaam kui kunstiteos</title>
				<link>https://next.timo.ee/publication/2023.07.07-sirp-marika-agu/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2023.07.07-sirp-marika-agu/</guid>
				<description>&lt;p&gt;Seda, et Maajaam sai 18. juunil muruniitmisega „Aktuaalsesse kaamerasse“, tuleb tähistada intervjuuga. Taavi Suisalu heliteos „Mürafoonia muruniidukitel“, mida dirigeeris dirigent ja helilooja Arash Yazdani tekitas elevust nii siin- kui ka sealpool ekraane.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Media Bubble</title>
				<link>https://next.timo.ee/media-bubble/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/media-bubble/</guid>
				<description>&lt;p&gt;Media bubble doesn&amp;rsquo;t blow up without a consumer, the installation doesn&amp;rsquo;t work without the visitor.&#xA;To make the media field buzzing, to create scandals and little stars, one has to move oneself. You have to type in c**.com or order newyorktimes, you have to pick up the remote control or tune in to FM wavelength. In this installation you have to make contact to the wooden plate, to make the information steams flow over you. It doesn&amp;rsquo;t matter, what kind of information that is, it just has to be warm. Media bubble is around You, without You it&amp;rsquo;s non-existent.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Memopol-3 / The Magnifying Glass of Contemporary Privacy</title>
				<link>https://next.timo.ee/publication/2017.09.01-memopol-3-ragne-soosalu/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2017.09.01-memopol-3-ragne-soosalu/</guid>
				<description>&lt;p&gt;I had to open a new personal e-mail account recently, an action one rarely does these days. A long time has gone by since I signed up for my previous one. I was shocked at the harsh reality of privacy violations. When syncing the new e-mail account in my smartphone, the mail exchange app wanted access to a massive amount of my personal information, literally every piece of data there was on my phone, including my gender, my image files and of course my contacts: e-mails and phone numbers, among many other things. Why on earth would an e-mail app need to know my gender or have access to the images on my smartphone? Of course, I was politely reassured in a brief sentence that I could change these privacy settings at any given time after I had completed the registration process.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Minibio</title>
				<link>https://next.timo.ee/minibio/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/minibio/</guid>
				<description>&lt;div class=&#34;row&#34;&gt;&#xA;    &lt;div class=&#34;col-12 col-md-6&#34;&gt;&#xA;      &lt;p&gt;&lt;strong&gt;Timo Toots&lt;/strong&gt; is an interdisciplinary artist living and working in Estonia. His artistic research concentrates on the relationships between humans, technology and nature. His work is addressing the question of privacy in the surveillance society and role of nature in the technological era.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Neural Nectar</title>
				<link>https://next.timo.ee/neural-nectar/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/neural-nectar/</guid>
				<description>&lt;p&gt;Neural Nectar is an interdisciplinary installation exploring the shifting relationship between humans and technology. It asks whether we still control our inventions or have begun serving them, like bees serve a hive.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Neural Nectar</title>
				<link>https://next.timo.ee/futures/2026-istanbul/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/futures/2026-istanbul/</guid>
				<description>&lt;h3 id=&#34;neural-nectar&#34;&gt;Neural Nectar&lt;/h3&gt;&#xA;&lt;p&gt;Neural Nectar is an interdisciplinary installation that explores the shifting hierarchy between humanity and technology through the lens of biological mimicry. As artificial intelligence evolves from a tool into a self-sustaining infrastructure, the work posits a provocative question: Are we still the masters of our inventions, or have we become the &amp;ldquo;useful idiots&amp;rdquo; of a new evolutionary path—serving a technological system as bees serve a hive?&lt;/p&gt;</description>
			</item>
			<item>
				<title>Neural Nectar</title>
				<link>https://next.timo.ee/futures/2026-neuralnectar-arselectronica/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/futures/2026-neuralnectar-arselectronica/</guid>
				<description>&lt;h3 id=&#34;neural-nectar&#34;&gt;Neural Nectar&lt;/h3&gt;&#xA;&lt;p&gt;Neural Nectar is an interdisciplinary installation that explores the shifting hierarchy between humanity and technology through the lens of biological mimicry. As artificial intelligence evolves from a tool into a self-sustaining infrastructure, the work posits a provocative question: Are we still the masters of our inventions, or have we become the &amp;ldquo;useful idiots&amp;rdquo; of a new evolutionary path—serving a technological system as bees serve a hive?&lt;/p&gt;</description>
			</item>
			<item>
				<title>Neural Nectar</title>
				<link>https://next.timo.ee/futures/2026-neuralnectar-baerumkunsthall/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/futures/2026-neuralnectar-baerumkunsthall/</guid>
				<description>&lt;h3 id=&#34;neural-nectar&#34;&gt;Neural Nectar&lt;/h3&gt;&#xA;&lt;p&gt;Neural Nectar is an interdisciplinary installation that explores the shifting hierarchy between humanity and technology through the lens of biological mimicry. As artificial intelligence evolves from a tool into a self-sustaining infrastructure, the work posits a provocative question: Are we still the masters of our inventions, or have we become the &amp;ldquo;useful idiots&amp;rdquo; of a new evolutionary path—serving a technological system as bees serve a hive?&lt;/p&gt;</description>
			</item>
			<item>
				<title>Neural Nectar</title>
				<link>https://next.timo.ee/futures/2026-neuralnectar-file/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/futures/2026-neuralnectar-file/</guid>
				<description>&lt;h3 id=&#34;neural-nectar&#34;&gt;Neural Nectar&lt;/h3&gt;&#xA;&lt;p&gt;Neural Nectar is an interdisciplinary installation that explores the shifting hierarchy between humanity and technology through the lens of biological mimicry. As artificial intelligence evolves from a tool into a self-sustaining infrastructure, the work posits a provocative question: Are we still the masters of our inventions, or have we become the &amp;ldquo;useful idiots&amp;rdquo; of a new evolutionary path—serving a technological system as bees serve a hive?&lt;/p&gt;</description>
			</item>
			<item>
				<title>Neural Nectar</title>
				<link>https://next.timo.ee/futures/2026-neuralnectar-sonar/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/futures/2026-neuralnectar-sonar/</guid>
				<description>&lt;h3 id=&#34;neural-nectar&#34;&gt;Neural Nectar&lt;/h3&gt;&#xA;&lt;p&gt;Neural Nectar is an interdisciplinary installation that explores the shifting hierarchy between humanity and technology through the lens of biological mimicry. As artificial intelligence evolves from a tool into a self-sustaining infrastructure, the work posits a provocative question: Are we still the masters of our inventions, or have we become the &amp;ldquo;useful idiots&amp;rdquo; of a new evolutionary path—serving a technological system as bees serve a hive?&lt;/p&gt;</description>
			</item>
			<item>
				<title>News Casino / Säutsumasin</title>
				<link>https://next.timo.ee/sautsumasin/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/sautsumasin/</guid>
				<description>&lt;h2 id=&#34;addictive-news-from-the-past&#34;&gt;addictive news from the past&lt;/h2&gt;&#xA;&lt;p&gt;&lt;strong&gt;News Casino&lt;/strong&gt; is a time travel machine. Pull the lever and you will be taken on a journalistic journey to one day in this century, the previous one or the century before that!&#xA;While the numbers are spinning, the digital archives of periodicals at the National Library of Estonia are rummaged through and a random clipping from the date selected is found. A historical &amp;ldquo;tweet&amp;rdquo; issues from the slot.&lt;/p&gt;</description>
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			<item>
				<title>Personal Surveillance Agency</title>
				<link>https://next.timo.ee/psa/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/psa/</guid>
				<description>&lt;p&gt;The installation is a surveillance system for ants. It is over-the-top version of a nature camera. It has microphones wired in ant&amp;rsquo;s nest, sensors monitoring the climate inside and outside of the nest, camera watching over the little society of the ants. The gathered data and sounds are made public through the speakers and screens.&lt;/p&gt;</description>
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			<item>
				<title>Pollinarium</title>
				<link>https://next.timo.ee/pollinarium/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/pollinarium/</guid>
				<description>&lt;p&gt;Pollinarium is an audiovisual installation that opens a door into the hidden universe surrounding a beehive through a cosmic lens.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Privacy</title>
				<link>https://next.timo.ee/privacy/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/privacy/</guid>
				<description>&lt;h2 id=&#34;newsletter&#34;&gt;Newsletter&lt;/h2&gt;&#xA;&lt;p&gt;If you sign up for the Maajaam Newsletter, we use the email address you provide to send it to you. You may also give your first and last name. To ask about your subscription or request removal, write to &lt;a href=&#34;mailto:2026@timo.ee&#34;&gt;2026@timo.ee&lt;/a&gt;.&lt;/p&gt;</description>
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			<item>
				<title>Punane nupp tuli tartlasi ärritama</title>
				<link>https://next.timo.ee/publication/2007.11.21-dont-postimees/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2007.11.21-dont-postimees/</guid>
				<description>&lt;p&gt;&lt;strong&gt;Valgel postamendil on punane nupp. Väga suur kiusatus on sellele vajutada  seda enam, et teose pealkiri «Don´t» tähendab keeldu. Aga isu on ikkagi. Ja nupule vajutaja muutub teose osaks, lõhkujaks ja taasloojaks.&lt;/strong&gt;&lt;/p&gt;</description>
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			<item>
				<title>Raamat &#34;Kunstnike ruumid&#34;</title>
				<link>https://next.timo.ee/publication/2017.01.11-raamat-kunstnike-ruumid/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2017.01.11-raamat-kunstnike-ruumid/</guid>
				<description></description>
			</item>
			<item>
				<title>Raamat &#34;The Global Art Compass&#34;</title>
				<link>https://next.timo.ee/publication/2014.03.10-raamat-the-global-art-compass/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2014.03.10-raamat-the-global-art-compass/</guid>
				<description></description>
			</item>
			<item>
				<title>Small Departures</title>
				<link>https://next.timo.ee/futures/2027-munich/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/futures/2027-munich/</guid>
				<description>&lt;h3 id=&#34;small-departures&#34;&gt;Small Departures&lt;/h3&gt;&#xA;&lt;p&gt;Attention! Attention! Common House Mosquito - Culex pipiens - departing from gate zero. These little creatures, living among us, are important parts of the ecosystem. You could say that our relationship is somewhat complicated - they might be annoying, sting or bite us, or carry diseases. On the other hand we really need them to survive and keep the ecosystem working. Also in cities, also in Munich!&lt;/p&gt;</description>
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				<title>Soodevahe linnak näitas läbi peenarde lillede poole jõudmist</title>
				<link>https://next.timo.ee/publication/2011.06.20-soodevahe-epl/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2011.06.20-soodevahe-epl/</guid>
				<description>&lt;p&gt;Eile avati Euroopa kultuuripealinna linnainstallatsioonide festivali LIFT11 raames Timo Tootsi projekt „Soodevahe linnak”.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Statement</title>
				<link>https://next.timo.ee/statement/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/statement/</guid>
				<description>&lt;h4 id=&#34;artist-statement&#34;&gt;Artist statement&lt;/h4&gt;&#xA;&lt;hr&gt;&#xA;&lt;div class=&#34;row&#34;&gt;&#xA;    &lt;div class=&#34;col-12 col-md-6&#34;&gt;&#xA;      &lt;p&gt;In my artworks and other creative projects, I constantly keep an eye on the developments of our society, noticing changes in everyday life. Growing up in the system of the Soviet Union, going through the crazy 90s and also seeing the beginning of this century, there have been a lot of changes. Technological development has affected us almost imperceptibly, fusing us and technology more and more together. Many of the inventions from the science fiction books of my childhood have become commonplace and we have become cybernetic people.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Suur Vend jälgib sind</title>
				<link>https://next.timo.ee/publication/2023.05.05-sirp-jaak-kikas/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2023.05.05-sirp-jaak-kikas/</guid>
				<description>&lt;p&gt;Timo Tootsi näitus „Luba kõik küpsised. Valik töid aastatest 2008–2023“Tartu Kunstimajas kuni 14. V.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Tartu Kunstimajas saab tutvuda Timo Tootsi viimase 15 aasta loominguga</title>
				<link>https://next.timo.ee/publication/2023.04.05-video-err-kultuuriuudised/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2023.04.05-video-err-kultuuriuudised/</guid>
				<description></description>
			</item>
			<item>
				<title>Timo Toots: kirjutama peab mitte ainult kurgi, vaid digikurgi kasvatamisest</title>
				<link>https://next.timo.ee/publication/2023.05.03-eesti-ekspress-peeter-korma%C5%A1ov/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2023.05.03-eesti-ekspress-peeter-korma%C5%A1ov/</guid>
				<description>&lt;p&gt;Kunstnik rääkis Peeter Kormašovile, et kui firmad sunnivad meid meie nõrkusi ära kasutades ja kasumi suurendamiseks rohkem aega ekraani taga veetma, siis peab sellele vastu seisma.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Timo Tootsi valiknäituse uusim teos jagab külastajaile küpsiseid</title>
				<link>https://next.timo.ee/publication/2023.04.05-postimees-raimu-hanson/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2023.04.05-postimees-raimu-hanson/</guid>
				<description>&lt;p&gt;Neljapäeval toimub Tartus taas tavalisest tähelepanuväärsema kunstinäituse avamine, mille tähtsust märgib küll ka pealinnast kunstisõprade saabumine eribussiga, veel rohkem aga väljapaneku sisu. Timo Toots (40) on kunstimaja kõikides ekspositsiooniruumidesse vaatamiseks seadnud valiku oma teostest, mis on valminud 15 aasta jooksul.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Twist</title>
				<link>https://next.timo.ee/publication/2021.10.26-video-arte-tv/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2021.10.26-video-arte-tv/</guid>
				<description></description>
			</item>
			<item>
				<title>Vabaõhu-tehnonäitus käivitab meeled</title>
				<link>https://next.timo.ee/publication/2024.08.30-sirp-raivo-kelomees/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://next.timo.ee/publication/2024.08.30-sirp-raivo-kelomees/</guid>
				<description>&lt;p&gt;Näitus „Metsikud bitid“ tehnoloogilise kunsti talus Maajaam kuni 15. IX. Kunstnikud Agnes Meyer-Brandis (Saksamaa), Marco Barotti (Itaalia), Julijonas Urbonas (Leedu), Uģis Albiņš (Läti), Anna Tamm ja Vinzenz Leutenegger (Eesti/Šveits), Varvara &amp;amp; Mar (Eesti/Hispaania), Jeanne Harignordoquy (Prantsusmaa), Janis Polar (Šveits), Greg Orrom Swan (Ühendkuningriik), Andreas Zißler, Fabian Lanzmaier ja Klemens Kohlweis (Austria), Mohar Kalra (USA), Claudia O’Steen ja Aly Ogasian (USA), heidundgriess (Saksamaa), Studio Watershore (Taiwan), Johan Kirsimäe ja Markus Varki (Eesti).&lt;/p&gt;</description>
			</item>
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